One of the most critical components in a high-quality vehicle entertainment system is your car audio amplifier. While the concept of increasing the power of an audio signal is simple, it can be somewhat complex to execute elegantly the process. Amplifier design is as much as science as it is an art form. In this article, we will look at everything you need to know to buy the right amplifier for your system.

How We Measure Car Audio Amplifiers

For more than 100 years, people have been using amplifiers to take a small audio signal and increase its power so it can move a speaker. We measure an amplifier’s capacity to do work in watts. Before the industry had a reference set of guidelines for measuring amplifier power, we would see outrageous claims from otherwise minuscule products. The Consumer Technology Association (formerly the Consumer Electronics Association) has worked with industry experts and manufacturers to produce a set of standards to allow the power produced by different brands, makes and models of amplifiers to be comparable. This standard is currently known as CEA-2006A. When you see the associated logo on a product, you can be confident that the power specifications are real and directly comparable.

Features Help Increase Performance

Modern car audio amplifiers are equipped with many different features. These can include crossovers, bass boost circuits, remote level controls and equalization. Crossovers allow your installer to limit the range of frequencies that the amp will reproduce. In the case of a subwoofer amplifier, we can send the entire audio spectrum to the amp. With a low-pass crossover set, only those frequencies below the crossover point will be amplified and sent to the speaker. A high-pass crossover does the opposite, sending only high-frequency information from the input to the output of the amp.

Limiting which frequencies pass through the amplifier allows the speakers to operate within the frequency range for which they were designed. You wouldn’t want bass information to be sent to your tweeters, nor would you want midrange and high-frequency information to be sent to your subwoofer. Almost every car audio amplifier includes crossovers.

Infrasonic or subsonic filters and bass boost controls are additional tuning options that can be used to help maximize the performance of a dedicated subwoofer amplifier. A remote level control – something also found on most subwoofer amplifiers is a volume control for the amp that can be mounted in the front of the vehicle. This control gives you the option of fine-tuning the amount of bass right at your fingertips.

Auditioning a Car Audio Amplifier

Quantifying the performance of a car audio amplifier can be very difficult. The speakers connected to the amplifier are an infinitely bigger contributing factor to how a system sounds. To properly audition an amp, you need to compare it to another using the same set of speakers. A display board in a car audio specialty retailer is a great way to do this. You will want to ensure that the volume level of all amplifiers is the same for the comparison to be valid.

How can the design of an amplifier affect the way it sounds? There are always exceptions, but for the most part, whether the amp is a Class AB or Class D design can have an effect on the high-frequency performance. Class AB amps are often more detailed in the highest of frequencies. Switch back and forth between amplifiers on a display and listen to the ring of a crash or ride cymbal, or that of a triangle. You want to hear clarity and detail.

At the opposite end of the spectrum, the impact and definition of lower frequency information can show off differences in the design of an amplifier’s power supply and the way the amp behaves when amplifying a complex signal. What you want to listen for is the perceived “speed” of the car audio amplifier. When a drummer hits the rim of a tom with his stick or the skin of the bass drum with the pedal, you want be startled. It should be very tight and controlled. The sound should be clear and natural.

One thing you don’t want to hear is warmth. While this goes against what many people perceive as good, warmth can be a sign of even-order harmonic distortion. The best amplifiers don’t change the sound; they just make the signal louder.

What’s Right For You?

When it comes to choosing an amplifier for your mobile entertainment system, the right amp for you is the one that fulfills your system requirements. A four-channel amplifier has always been a great starting point for system upgrades. They can be used to run four speakers and a subwoofer. If a dedicated subwoofer amp is added later on, that four-channel amp can do an even better job of powering those same four speakers. A lot of specialists like to use a four-channel amp to power a set of midrange tweeters and some form of electronic crossover to split up the audio signal between the two.

Amplifiers are available with one to eight channels at power levels from 35 watts per channel to almost 20,000 watts. Always make sure you have enough power for your system. If saving for another few weeks will let you purchase a more powerful amp instead of one that is “just enough,” it is well worth waiting.

The Latest And Greatest

In the past few years, many companies have introduced car audio amplifiers that include powerful DSP processors. These signal processors provide your installer with more control over system crossovers and add time-alignment and advanced equalization options. In the hands of an expert installer, this can add amazing accuracy and realism to a system. When tuned properly, they are the icing on the cake!

A Word About Installation

While car audio amplifiers seem like one of the easiest components to install in a vehicle, the challenge of sourcing a proper audio signal for that amp from a factory radio and dealing with varying current delivery challenges found in today’s automobiles can make proper installation difficult. Having an experienced technician at a car audio shop install and configure your amp is highly recommended. In many cases, manufacturers offer an extended warranty when their products are installed by an authorized dealer.

Visit your local car audio specialist retailer and bring along your favorite music. Listen to as many different amplifiers as you can, then choose the one that meets your system needs, your performance goals and your budget.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

One of the most critical components in a high-quality vehicle entertainment system is your car audio amplifier. While the concept of increasing the power of an audio signal is simple, it can be somewhat complex to execute elegantly the process. Amplifier design is as much as science as it is an art form. In this article, we will look at everything you need to know to buy the right amplifier for your system.

How We Measure Car Audio Amplifiers

For more than 100 years, people have been using amplifiers to take a small audio signal and increase its power so it can move a speaker. We measure an amplifier’s capacity to do work in watts. Before the industry had a reference set of guidelines for measuring amplifier power, we would see outrageous claims from otherwise minuscule products. The Consumer Technology Association (formerly the Consumer Electronics Association) has worked with industry experts and manufacturers to produce a set of standards to allow the power produced by different brands, makes and models of amplifiers to be comparable. This standard is currently known as CEA-2006A. When you see the associated logo on a product, you can be confident that the power specifications are real and directly comparable.

Features Help Increase Performance

Modern car audio amplifiers are equipped with many different features. These can include crossovers, bass boost circuits, remote level controls and equalization. Crossovers allow your installer to limit the range of frequencies that the amp will reproduce. In the case of a subwoofer amplifier, we can send the entire audio spectrum to the amp. With a low-pass crossover set, only those frequencies below the crossover point will be amplified and sent to the speaker. A high-pass crossover does the opposite, sending only high-frequency information from the input to the output of the amp.

Limiting which frequencies pass through the amplifier allows the speakers to operate within the frequency range for which they were designed. You wouldn’t want bass information to be sent to your tweeters, nor would you want midrange and high-frequency information to be sent to your subwoofer. Almost every car audio amplifier includes crossovers.

Infrasonic or subsonic filters and bass boost controls are additional tuning options that can be used to help maximize the performance of a dedicated subwoofer amplifier. A remote level control – something also found on most subwoofer amplifiers is a volume control for the amp that can be mounted in the front of the vehicle. This control gives you the option of fine-tuning the amount of bass right at your fingertips.

Auditioning a Car Audio Amplifier

Quantifying the performance of a car audio amplifier can be very difficult. The speakers connected to the amplifier are an infinitely bigger contributing factor to how a system sounds. To properly audition an amp, you need to compare it to another using the same set of speakers. A display board in a car audio specialty retailer is a great way to do this. You will want to ensure that the volume level of all amplifiers is the same for the comparison to be valid.

How can the design of an amplifier affect the way it sounds? There are always exceptions, but for the most part, whether the amp is a Class AB or Class D design can have an effect on the high-frequency performance. Class AB amps are often more detailed in the highest of frequencies. Switch back and forth between amplifiers on a display and listen to the ring of a crash or ride cymbal, or that of a triangle. You want to hear clarity and detail.

At the opposite end of the spectrum, the impact and definition of lower frequency information can show off differences in the design of an amplifier’s power supply and the way the amp behaves when amplifying a complex signal. What you want to listen for is the perceived “speed” of the car audio amplifier. When a drummer hits the rim of a tom with his stick or the skin of the bass drum with the pedal, you want be startled. It should be very tight and controlled. The sound should be clear and natural.

One thing you don’t want to hear is warmth. While this goes against what many people perceive as good, warmth can be a sign of even-order harmonic distortion. The best amplifiers don’t change the sound; they just make the signal louder.

What’s Right For You?

When it comes to choosing an amplifier for your mobile entertainment system, the right amp for you is the one that fulfills your system requirements. A four-channel amplifier has always been a great starting point for system upgrades. They can be used to run four speakers and a subwoofer. If a dedicated subwoofer amp is added later on, that four-channel amp can do an even better job of powering those same four speakers. A lot of specialists like to use a four-channel amp to power a set of midrange tweeters and some form of electronic crossover to split up the audio signal between the two.

Amplifiers are available with one to eight channels at power levels from 35 watts per channel to almost 20,000 watts. Always make sure you have enough power for your system. If saving for another few weeks will let you purchase a more powerful amp instead of one that is “just enough,” it is well worth waiting.

The Latest And Greatest

In the past few years, many companies have introduced car audio amplifiers that include powerful DSP processors. These signal processors provide your installer with more control over system crossovers and add time-alignment and advanced equalization options. In the hands of an expert installer, this can add amazing accuracy and realism to a system. When tuned properly, they are the icing on the cake!

A Word About Installation

While car audio amplifiers seem like one of the easiest components to install in a vehicle, the challenge of sourcing a proper audio signal for that amp from a factory radio and dealing with varying current delivery challenges found in today’s automobiles can make proper installation difficult. Having an experienced technician at a car audio shop install and configure your amp is highly recommended. In many cases, manufacturers offer an extended warranty when their products are installed by an authorized dealer.

Visit your local car audio specialist retailer and bring along your favorite music. Listen to as many different amplifiers as you can, then choose the one that meets your system needs, your performance goals and your budget.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Enclosure, box or cabinet: Whatever you want to call them, where you install your speaker or subwoofer is critically important to their resulting performance. In this article, we focus on the simplest and most forgiving of enclosures to design and construct – the acoustic suspension or sealed enclosure.

The Laws of Physics

There are a few characteristics to keep in mind about every speaker. The first is that as frequency decreases, cone excursion increases. In fact, to produce the same acoustic output, a speaker must move four times as far for every halving of frequency. As an example, if your subwoofer were moving 1 mm at 80 Hz, it would have to move 4 mm to produce the same output at 40 Hz. To produce the same output at 20 Hz, it would have to move 16 mm.

A speaker includes an element called a spider. The spider stores energy when the voice coil of a speaker moves the cone forward or rearward from its resting position. When the cone reaches the end of its travel and comes to a stop, the stored potential energy in the spider wants to be released. This stored energy pulls the cone in the opposite direction. Each transfer of energy includes some losses, and eventually, the cone comes to rest.

Think of the cone motion like a swing at the park. You exert a force on the swing to get it started, and it continues to swing back and forth with a decreasing amplitude until it comes to a stop. Thankfully, a speaker stops moving a lot faster than the swing at the park.

In a speaker, this transfer of energy from the cone to the spider and back is most efficient at a specific frequency. We call this the resonant frequency of the speaker. At the resonant frequency, there is a dramatic increase in impedance because the spider stores a great deal of energy. This energy storage causes the cone to want to continue to move. The movement of the voice coil moving through the magnetic field generates a voltage. This voltage generates a flow of current in the opposite direction to the current flowing from the amp. We represent this opposition to current flow as an increase in impedance.

We also have to consider that every speaker is limited in how far the cone can move. Once we exceed the excursion limitations of the speaker, bad things happen. The voice coil former can hit the back plate. The suspension components may be compromised and start to fail. As a by-product of the cone, dust cap, surround, spider and motor geometry, harmonic distortion also increases as excursion increases.

Our goal in designing any audio system should be to keep distortion as low as possible. Most of the distortion at low frequencies is resonance. These resonances decrease as we move above the resonant frequency of the speaker. The spider and the changing motor force, as the coil moves past the edge of the gap, are the biggest contributors to distortion.

Why Do We Need an Enclosure?

Let’s consider a few additional characteristics. The low-frequency roll-off of a speaker is a high-pass filter. The spider in the speaker is like a capacitor—a spring stores energy and so does a capacitor. The air inside the box is also a spring, and it is in parallel with the spider. The air spring and the spider work together at the same time to do the same thing. The combination of the air spring and the spider increases the high-pass filter frequency. Yes: Contrary to our efforts to produce as much low-frequency information as possible, an enclosure limits low-frequency reproduction.

If that is the case, why do we want to limit cone motion? Consider what we’ve said about how much excursion is required to reproduce low frequencies and about distortion. Limiting low-frequency output from our speaker is not an ideal goal, but limiting some of the really low frequencies to get the right amount of bass at higher frequencies is worthwhile.

There is a benefit to increasing the resonant frequency of the speaker and enclosure system. Let us say we have a subwoofer with a Q of 0.5 and it is our goal to have a total system Q of 0.707. We choose an enclosure air volume that increases the Q, which then increases the system output at the new resonant frequency. Yes, we sacrifice output at lower frequencies, but we gain output around the new system resonant frequency.

I Want More Bass!

Modern speaker designs continue to reduce distortion through computer simulation and modeling of material behavior. Qualified and properly equipped speaker designers can simulate spider, cone and surround behavior to analyze individual resonance and distortion behaviors. They also can model the interaction between the voice coil and the motor structure to predict changes in magnetic field strength and inductance that can further affect how a speaker will sound at moderate to high excursion levels.

These advancements have resulted in speakers that produce less distortion at higher excursion levels. This improvement in performance allows enclosure designers to build speaker systems that will play lower and louder.

Some basic principles govern low-frequency sound reproduction. Cone area is critical. An old article published by the Audio Engineering Society called “The Problem with Low-Frequency Reproduction,” by Saul J. White, included a graph that compared cone excursion vs. frequency vs. system output for a 12- and 15-inch loudspeaker. In the chart, it shows that a 15-inch driver cone only has to move half as much as a 12-inch driver to produce the same output.

To produce sound, we need to displace air. Displacement is calculated by the product of speaker cone area times the distance the cone can travel. In other words, bore times stroke. For the same displacement, more bore requires less stroke.

What is the punch line? If you want it louder, buy more speakers or subwoofers.

Driver Behavior in an Enclosure

The increase in the system Q caused by the addition of air stiffness in the enclosure can cause distortion if the Q is increased excessively. This increase in Q works against our desire for a low-distortion system. Making the enclosure too small increases the Q too much, and we wind up with a system that produces a great deal of output in a narrow frequency range. These undersized enclosures are often referred to as a “one-note-wonders.”

What causes this behavior? The one-note quality is a result of the increased energy storage and transference in the resonant system. The bass just keeps going and going – like our swing at the park.

Power Handling

In an acoustic suspension enclosure, cone excursion increases as frequency decreases. This increase in excursion continues down to the frequency at which the force of the spider and the box exceeds the force of the motor. At that point, the excursion level is limited, and we will not see the increase in excursion . The result: We protect the speaker from physical damage due to cone excursion beyond the design characteristics of the speaker.

Predicting the limits of cone excursion relative to frequency and power is relatively simple for a sealed enclosure. The volume of the enclosure is inversely proportional to the amount of power the speaker can handle when perceived from the standpoint of excursion. A small enclosure limits cone excursion a great deal at very low frequencies, but the system does not produce a lot of deep bass. A large enclosure allows the speaker to move further and produce more low-frequency output, but we cannot drive the speaker with as much power for fear of damaging it.

As we increase the volume of the subwoofer enclosure, the air inside has less “spring effect” on the subwoofer’s motion. This graph shows the increase in driver excursion as air volume increases in four different enclosures.

Acoustic Suspension Overview

An acoustic suspension speaker enclosure reduces bass output at a rate of -12 dB per octave below the resonant frequency. When you combine this roll-off with the cabin gain associated with most vehicles, you can get excellent and linear low-frequency extension well into the infrasonic region. Acoustic suspension enclosures are easy to calculate and to construct. They are very forgiving of minor errors in volume calculation.

Finally, it is worth remembering that acoustic suspension enclosures are not the lowest-distortion enclosure designs available.

When it comes time to design a subwoofer enclosure for your car or truck, visit your local mobile electronics retailer and discuss your requirements. They can help you choose a subwoofer and enclosure design that will give you a solid foundation on which to build your audio system.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.